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If the website did not set this cookie, you will be asked for your login and password on each new page as you progress through the funding process. In addition, functional cookies, for example, are used to allow us to remember your preferences and identify you as a user, ensure your information is secure and operate more reliably and efficiently. Allowing third parties to customize content accordingly.Tracking which site the user was referred from.Verifying your identity and detecting the country you are currently visiting from.Here is an overview of some of the functions our cookies provide us with: For example, cookies save you the trouble of typing in your username every time you access our trading platform, and recall your preferences, such as which language you wish to see when you log in. This website uses Google Analytics, a web analytics service provided by Google, Inc. “Still the noise in the mind, that is the first task." A smart, calming dose of indie existentialism, Tuning may help still the noise in yours.Google Analytics uses analytical cookies placed on your computer, to help the website analyze a user's use of the website. It’s more mature, I think – but I’ve listened to it about ten thousand fucking times so I don’t know anything about it anymore,” he laughs.
“Much more carefully crafted and a lot more cohesive. “It’s a lot more pop-oriented and concise,” says Everett. On Rough Master, they strayed from twisting grunge-pop to piano ambience and string-accompanied haze, in part inspired by Niemi’s background in classical cello and prog rock. This alchemy of crisp Faraquet-ish guitars, tumbling vocal melodies, and intense lyrical intimacy will come as no surprise to those who’ve followed the band this far.Įver since forming in September 2014, Mauno (pronounced Mao-no, and ironically named after bassist / vocalist Eliza Niemi’s completely unmusical Finnish grandfather) has had a wandering sound that refuses to be pinned down. “Anything Anymore,” written by guitarist Scott Boudreau, encapsulates this dichotomy through the balancing of light and heavy - pairing the mundane with the weight of waiting for love. From opener “Or Just”, a track “about being in a loving relationship but being unable to lose the feeling that it’s somehow unrequited,” to Niemi's slinking “Other Bad” and its meditations on falling in and out love, Tuning treads that line like a tightrope. In the 12 months since their last release, Rough Master, the members of Mauno have found that there’s a thin line in love between joy and anxiety. “It’s a collection of reflections on the feeling of finally leaving, on the complexity of relationships, on what the end of something means,” say Mauno. There’s a raw, guttural, emotional punch to Tuning too - tales of botched romance and misdirected dreams play out above its bed of crunchy guitars and crashing cymbals.
“We wanted to include little pieces of the places we’ve lived,” says Everett. Tuning is therefore threaded with field recordings captured everywhere from Mauno's home in Halifax to Berlin and Heidelberg.
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“It completely changed the way I move through the world.” The book is full of theories about the emotional attachments we form with our sonic environments. “The Soundscape changed my life,” says singer/guitarist Nick Everett.
“Then everything else will follow in time.” Nova Scotia four-piece Mauno sound like they’re striving for similar clarity on their adventurous new album Tuning - a record named after the book’s subtitle, and similarly brimming with grand ideas. Murray Schafer in his defining book The Soundscape. “Still the noise in the mind, that is the first task,” wrote musicologist R.
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